Efrat Alony: Alla Salma Infidel (Handel)
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Trying to put Efrat Alony’s music in a box is a task destined to fail. Every musical compartment would simply be too small. Her ability to compose and sing in- between the musical genres, in a her exceptional unique style, is what makes her stand out and shine.
“Untamable. The Israeli singer Efrat Alony bewilders with her voice, beauty and intellect. (…) Her timbre seduces us – to unstintingly listen.” Tom R. Schulz , “Die Zeit”
Trying to put Efrat Alony’s music in a box is a task destined to fail. Every musical compartment would simply be too small. Her ability to compose and sing in- between the musical genres, in a her exceptional unique style, is what makes her stand out and shine.
“Untamable. The Israeli singer Efrat Alony bewilders with her voice, beauty and intellect. (…) Her timbre seduces us – to unstintingly listen.” Tom R. Schulz , “Die Zeit”
“I’m not sure that there is a category for what Alony does. I’m not sure that there should be. Call it music.” Doug Ramsey, “Artsjournal”
“….The music hits you with full force. Efrat Alony, with her dazzling versatile singing, enriches scat singing with sighs and lamentations and shows that Hebrew can both comfort and glow, like a candle…” Josef Engels, “Berliner Morgenpost”
“Her voice is a lusty cross between Joni Mitchell’s folk wisdom and Amy Winehouse’s rolling purr. Alony’s voice is highly trained, but what’s most fascinating is her original music and lyrics. The style isn’t quite jazz but something new and cutting edge… While I confess you may need to recalibrate your sensibility a bit to fully appreciate what Alony is doing, the journey is well worth it.” Marc Meyers, JazzWax.com
“…Efrat Alony completely is at home in her music. She commands her extraordinarily cultured alto voice with confidence… she sends shivers down your spine. …Alony treads exciting new paths. Her daring experiments are both refreshing and intense. The compositions – at times peaceful, at times stormy – are even more vivacious in a live performance than on her wonderful debut album merry-go-round”…
Birgit Nüchterlein, “Nürnberger Nachrichten”
“I love challenges“ she explains, “I enjoy trying to find a boundery, where one thinks one can’t push it any further, and then- do just that- try to jump over it. Every time anew, I’m startled, as to how flexible our minds, our ears, our abilities as performers and our ever changing perception of music really is”
Born in Haifa, Israel, as a daughter of Jewish Iraqi new comers, singer Efrat Alony studied composition, arranging, jazz singing and classical singing in Israel, Germany and the U.S.
In 2022 Efrat received the “German Jazz Prize” for best vocal Album of the year ( ” Hollywood Isn’t Calling” ) as well as a nomination for “Best Composition” ( “My Shorthand Modes Of Perception” )
Efrat has worked as a musical director and vocal coach for various theater productions, such with the renowned American director Robert Wilson. In 2006 she was awarded the Jazz Performance Prize of the Karl Hofer Society and the Jazz Institute Berlin. in 2008 and in 2010 she received the City of Berlin Jazz Award. In 2009 Alony recieved the „Nürnberg Nachrichten International Jazz award“ and in 2010 she was nominated for the BMW world Jazz award. In 2014 Efrat received the “german music author’s prize”of the GEMA for Jazz composition. In 2019 Efrat received the “Artemis Film Festival” ( L.A, USA) “best foreign artist award” for her composition “Hear Me”
Efrat was a featured as a soloist with many Big-Bands such as the Sunday Night Orchestra (CD “Overcast”, 2008), the Jazz Orchestra of the Concertgebouw (Amsterdam), the Radio Big Band Frankfurt, the Ed Partyka Jazz Orchestra ( CD „Songs for love lost“, 2011), UMO Helsinki Jazz Orchestra, Finnland, Swiss Jazz Orchestra , Bern and the Zurich Jazz Orchestra, Zurich, in Switzerland, the “Christoph Cech Jazz Orchestra, Vienna, AT
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